my life, as far as i know. 2010-07-29T17:51:30Z http://schlachet.net/feed/atom/ WordPress Jason http://schlachet.net/ <![CDATA[folsom’s little cousin]]> http://schlachet.net/?p=1238 2010-07-29T17:51:30Z 2010-07-29T17:51:30Z

last weekend was up your alley, otherwise known as the dore alley fair. like folsom street fair, it’s a leather and fetish event in san francisco. it’s much smaller, the crowd is more local, and the weather isn’t as nice (unless, of course, you’re shooting film).

like folsom, my friend emery was gracious enough to host a party at his house, just a short walk from where all the action is.

i decided to take the rolleicord with me, since i haven’t used the camera for some time. it turned out to be a decent camera for street shooting. relatively small, quiet, and the xenar lens is pretty sweet.

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Jason http://schlachet.net/ <![CDATA[A mutual portrait session.]]> http://schlachet.net/?p=1233 2010-07-16T17:34:00Z 2010-07-16T15:58:21Z

This is one of my photographer friends, Yve Fontilea. She’s an easy bay based professional photographer. She and I agreed to do a mutual portrait session. We met last weekend at the Alameda Naval Base, which has an endless supply of interesting backdrops for pictures. A cute downtown area, barren huge parking lots, abandoned and active warehouses, Navy ships, subsidized housing.

These were taken with my Burke & James 8×10 camera, with the Gundlach triple-convertible lens. The film was Kodak TXP 320 pulled to ISO 80, developed in stock Xtol for 5 minutes. Printed on Ilford MGD.1M glossy RC paper.

You can see one of the pictures of me Yve took, here.

I’m finding this combination – lens, film, developer – works really well for these portraits. The lens itself has so much character, it really makes these images work. I feel sometimes that I’m just enabling it, I’m not really doing much at all myself. I just set it up, point, and shoot.

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Jason http://schlachet.net/ <![CDATA[celebrating pride on pink saturday]]> http://schlachet.net/?p=1227 2010-07-02T02:10:18Z 2010-07-02T02:10:17Z

in san francisco, pink saturday is the day before the annual gay pride parade. the parade itself is a spectacle in itself, with an estimated 1.2 million attendees. the night before the parade, however, is when the craziness happens. a large swath of castro street and market street are blocked off. the area becomes a multi-stage concert venue and block party.

as is our annual custom, we went to a house party in the castro before coming outside to brave the crowds out on the street. i decided to bring what i’ve called the party camera, a crown graphic with a sunpak 444d and four grafmatic backs. entering a sweltering house packed with people, bringing such a huge camera, heavy camera might not cross your mind.

preparing for the party reminded me of last year’s folsom street party, where i felt really disconnected with the scene. this was a little different. it felt more like bringing along one of my crazy cameras to a party where all my friends were. “oh, you need to let schlachet take your picture with his crazy camera!”

i did learn a few lessons from shooting with this setup. first, when the subject is very close i should be looking through the camera and ignoring the sports viewer. second, when i slow down and think my shots come out much better.

overall, i am pretty pleased with the set. it’s quite an experience shooting hand-held 4×5 at night, let alone seeing your friends at a party in large format.

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Jason http://schlachet.net/ <![CDATA[erik leung]]> http://schlachet.net/?p=1225 2010-06-26T16:59:03Z 2010-06-26T16:59:03Z

i am still learning now to scan and produce images for the web. i find it fairly frustrating — dust on prints or negatives, dust in the scanner, the scanner not pulling out all the times, different color profiles, file formats and storage. what i consider “photography” has its perils and roadblocks, but none of this stuff is what i signed up for. i’m glad i’m not scanning all the time, it would probably force me more offline in my work.

this is erik leung, a local digital photographer. we agreed to do mutual portraits, and we went to this wonderful spot he had previously scouted. the sun was already getting low but i managed to get in a good shot at iso 2500. the sun made a wonderful backlight.

i contact printed this image on ilford glossy rc, part of a growing collection of images of photographers.

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Jason http://schlachet.net/ <![CDATA[portraits of photographers]]> http://schlachet.net/?p=1217 2010-05-23T15:59:59Z 2010-05-23T00:02:24Z

this is brad evans, talented street portrait shooter.

last weekend a group i’m in on flickr held a bar-b-que in golden gate park. i brought my burke&james camera and holders loaded with 320TXP. i shot portraits of some of the group using the gundlach rapid rectigraphic. these are contact printed onto ilford mgd.1m paper with a #3 filter. these dark images are so nice on paper in front of your eyes, and i can never get the scans to look just right.

coy, with his partner erwin.

rai

adam

reese

it was also wonderful to spend time in the darkroom again. i vowed to not post negative scans as much, while producing more physical prints this year. the negatives from this set turned out very evenly exposed, so printing was very easy. i think the 8×10 is my favorite portrait camera by far.

contact print

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Jason http://schlachet.net/ <![CDATA[my first photography show!]]> http://schlachet.net/?p=1205 2010-04-08T23:00:23Z 2010-04-08T15:47:08Z

So I am in a flickr group called Blow-Up!, named after the 1966 movie by Michelangelo Antonioni. The movie is about a photographer who accidentally catches a crime scene on film.

The group on flickr has become a collective of largely San Francisco based photographers, many of whom shoot street. The lot of us decided to do a show, a public display of our body of work. There were 21 of us in the show, demonstrating a variety of styles and subject matters. The show is currently up at Cigar Bar & Grill in San Francisco until May 21st.

The above photo shows me with some great local Photographers: Jansen Zhang, Andrew Chin, John Agoncillo, myself, Chris Jewell, and Jose Marco.

I showed three images, all 8×10 contact prints. I hung them a little lower, in an attempt to get people to get up close to them. And man, I look like a nerd here.

All in all, the reception was pretty epic. I think everybody in the group is riding high after the event, and there is already a “let’s doing this again!” idea posted to flickr. I’m so proud to be part of such an awesome group. These people are as passionate about photography as  I am.

these photos are by paulino love.

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Jason http://schlachet.net/ <![CDATA[thirty-five]]> http://schlachet.net/?p=1203 2010-04-03T17:53:06Z 2010-04-03T17:53:06Z

i want to share a gift from my parents with you. this is a picture my dad took of me sleeping on the floor. it was taken in october of 1976, so i was a year and a half old. today i turn thirty-five.

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Jason http://schlachet.net/ <![CDATA[bangalore’s brigade road]]> http://schlachet.net/?p=1200 2010-05-14T21:17:58Z 2010-03-31T17:03:04Z

as a tourist in bangalore, if you want to do some shopping you end up at brigade road. it’s a dense commercial area that is home to a plethora of outlets, shops, stalls, and street vendors. you will be yelled after and followed by people peddling their wares, offering to be your rickshaw driver for the day, take you to the best sites (bangalore palace, cubbon park, etc). i loved walking up and down, but found it tiring after a while.

this was my first time in more than a week that i’d heard spoken languages other than arabic, kannada, and other local dialects. i found it slightly comforting that i wasn’t the *only* foreigner around. i saw americans and europeans i secretly labeled as “pale ones” to myself, although outside of a few glances and knods, never interacted substantially with them. there were a lot of people i couldn’t quite place — indian complexion with asian features. maybe sri lankan?

i know so little about the world.

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Jason http://schlachet.net/ <![CDATA[this land belongs to me]]> http://schlachet.net/?p=1196 2010-05-14T21:18:07Z 2010-03-26T04:41:20Z

visiting a foreign country where your native language is spoken but not indigenous is an interesting experience. it’s like lending a someone a camera .. the mechanics of its use are the same but the product are different. you know what it’s capable of, but the resulting product brings a few surprises. this is how i felt about english in bangalore.

i found this land ownership sign along outer ring road, where my company’s office is located. these signs were everywhere. a few things about this particular sign struck me. first was the contrast between the english words and the indian name. second was the land on which this sign is posted. like most unused plots of land here, it’s mostly flat and very dusty, the front edge has piles of trash, and the rear usually is home to squatters. people live in these concrete brick boxes or even tents.

the reddish-brown color of the dirt here became the underlying color of everything – my the buildings and signs, the air i breathed, my shoes, and my clothes. southern india certainly has a certain color palette of its own.

i was also crazy hot while i was there. mid- to upper-nineties every day. for three weeks. i was so glad i packed mostly shorts.

(click the image for a larger version)

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Jason http://schlachet.net/ <![CDATA[the essential auto-rickshaw]]> http://schlachet.net/?p=1191 2010-05-14T21:18:13Z 2010-03-19T04:32:11Z

the auto-rickshaw, so abundant they merit their own wikipedia page. these are little three-wheeled cabs just large enough for two adult passengers. they’re the easiest way to get around if you have a short trip in mind.

usually you bargain with the driver. most travel sites recommend not getting in a cab unless the meter is used. you can see in this picture the red sign on the meter is still up, i had negotiated a flat rate for this trip. the drivers will say almost anything to not use the meter, including stating that the meter is inaccurate, they can’t make change, your trip is taking them too far out of the main area, etc. if you decide on a flat rate you negotiate that as well, and hope you aren’t being ripped off. and by “ripped off” i mean down to the rupee. and when all this is over, you realize you’ve just spend a lot of time arguing over one u.s. dollar‘s worth of money, or less.

one day, i was standing in a small group of rickshaw drivers trying to figure out which one knew where i wanted to go. i wanted a specific intersection near the bangalore palace grounds. they knew the area, but not the roads. the usual thing to do is to go as far or as close as you can, and ask someone there for directions. oddly, at any hour of the day there seems to be someone around who can point you (or your driver) in the right direction. anyways, i was standing with a group of drivers when a stranger walked up, and in clear english asked me if i needed help negotiating. he talked to them in kanneda (the local dialect) and decided that my 300 rupees was far, considering how far i was going. this ~35 minute trip was going to cost me just over $6. i had already brought the price down from the originally stated Rs 500.

i hate to negotiate, but after a few rounds you get used to it.. especially if you get a feel for how things really are and know what you’ve paid in the past.

the road to the left in this picture is actually the service road, a parallel road used to enter/exit, merge, and access the local businesses.

in the united states, this would be considered a two lane road. when traffic is heavy in bangalore, this road would carry vehicles 3, 4, or maybe 5 vehicles across depending on their width. the roads are ruled by large busses and trucks, then any space is filled in by cars, followed by auto-rickshaws, any remaining space filled by two-wheeled motorbikes. vehicles are like water that flow through the streets like a canal.

photo was shot on kodak portra 160vc +1 1/2, with a widelux f7. click for larger version.

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